I construct paintings as psychologically charged situations in which reality becomes subtly unstable. Working with familiar objects, figures, gestures, and staged environments, I create images that shift between observation and invention, attraction and unease.

 

My process is intuitive and materially driven. Through layered glazes, dense textures, and accumulated color, the painting gradually develops its own internal tension and atmosphere. I am interested in the moment when an image stops functioning as a representation and begins to operate emotionally and associatively.

 

Rather than depicting a fixed narrative, I build situations that feel slightly unresolved. I am interested in images that suggest more than they explain.

 

Growing up surrounded by theatre, music, and visual art strongly shaped my sensitivity to staging and atmosphere, but painting became the medium through which I could most directly construct my own visual language.